Turquoise, Tailoring and a High-Street Wedding

Supreme does not do quiet collaborations, and Martine Rose does not do boring ones. Their Fall/Winter 2026 link-up — a full wardrobe spanning leather, shearling, sportswear and even a tiger-fur JBL speaker — is the most complete designer x streetwear capsule of the season, and it lands October 15 at 11am ET via Supreme's webstore and flagships, with Asia following on October 17.

The anchor pieces read like a fight-night fever dream: Jeff Hamilton shearling coats in wheat and charcoal, a patchwork-labels leather jacket with matching five-pocket jeans, a Cordura hooded jacket lined in tiger stripe. Martine Rose's signatures — exaggerated proportion, sly British humor — survive the Supreme machine intact.

The sneaker is the lightning rod. The collection's lone footwear piece is a Nike Dunk Low wrapped in full-color Mike Tyson graphics, with restrained gold "Supreme x Martine" lettering. At $150 it is priced to move and almost certain to sell through; sneaker press is already calling it the FW26 drop to beat.

Elie Saab started in bridal. More than four decades after the young Beirut designer began making gowns for brides, he is returning to the wedding dress — this time inside a 55-piece H&M collaboration launching October 22, fronted by campaign face Imaan Hammam.

The bridal look is the collection's emotional center: a mermaid-silhouette gown with a twisting off-the-shoulder neckline, corseted construction, a long dramatic train, and a sheer mesh back panel scattered with glass beads and sequins. It comes with a floor-length mesh veil, hand-embroidered with floral motifs in tone-on-tone beading. The house describes both as collector's items, produced in a deliberately small run.

The reveal was pure theater — a model appearing among guests at the September 28 Palais Brongniart launch party as Robin S performed, in front of Amelia Gray, Gabbriette, Iris Law, Anok Yai and Lila Moss. For brides, the practical note: the gown and veil are highly limited, sold in select Dubai, Paris and New York stores and online in Canada.

New York Bridal Fashion Week runs October 13–15, and this season the headline is real estate. On Monday, Israeli designer Lihi Hod opened the week by unveiling her first flagship outside Tel Aviv: a three-story Chelsea space at 132 10th Avenue, designed by Yael Gutreich Oron with warm woods, a creamy palette and olive trees nodding to her Middle Eastern roots.

Hod — a Shenkar graduate who spent a formative year with Galliano at Dior — is co-operating the store with Spina Bride founder Giselle Dubois, and using the opening to debut "Odysséey," her Fall 2027 collection inspired by '80s glamour, plus a new green-tea-and-orchid-blossom fragrance sold as perfume, candle and diffuser. A trunk show runs October 15–25.

Tomorrow's other appointment: Sareh Nouri debuts a 10-piece bridal accessories collaboration with Erin Rhyne at the Lotte New York Palace on October 14 — pearl-embellished earrings, veils, black velvet bows and floral motifs, priced $150 to $950, converting custom editorial concepts into a wearable retail capsule.

On October 6, Tiffany & Co. gave its HardWear collection its first real color story: nine new designs in 18k gold set with turquoise and Akoya pearls, the first time the industrial-link icon has worn anything but gold and diamonds since 2017. Natalie Portman — named a global House ambassador in March — fronts the campaign wearing the hero suite.

The move is canny. Turquoise is a Tiffany legacy stone, and chief artistic officer Nathalie Verdeille's Pop Art-inflected palette softens HardWear's hardware without diluting its bite. The hero drop earrings alternate turquoise beads and pearls atop the signature links at $14,500; a $2,900 medium-link pendant opens the entry point.

The colored-stone cocktail ring is riding the same wave: rubellite, pink tourmaline and statement cuts are back in the editorial conversation after seasons of diamond minimalism, and hardware jewelry — padlocks, curb chains, working clasps — keeps climbing as the necklace story.

The week's most-copied silhouette is not a dress — it is a white collared shirt, a black tie, and tailoring with intent. Across street style and reels, the office-siren formula keeps mutating: oversized blazers over micro shorts, trench coats over striped shirting, a full brown power suit worn like armor in Paris.

Nobody has monetized that instinct better than Veronica Beard. The sisters-in-law label the Vogue profile this week frames as a $400M American legacy in the making (https://x.com/voguemagazine/status/2109874535843713189) built its empire on one insight: women wanted the equivalent of the man's suit-and-tie uniform. The Dickey Jacket — a sharp blazer with a zip-in dickey liner, the "Wonder Woman cape" — is still the bestseller sixteen years in, now in leather, suede and stretch tailoring.

The look's current edge is androgyny with polish: ties worn loose, suiting in brown and ecru rather than black, loafers with white socks. It is power dressing that refuses to look like it is trying.

Fall's bag conversation is splitting in two: the polished bucket and the quilted crossbody. DeMellier's Icons collaboration — five signature styles co-created with five women — put the Large Siena Bucket in burgundy croc-effect on Taylor Hill's shoulder to 13K likes in a day, the strongest handbag signal in the sweep. Burgundy, croc texture, padlock hardware: three trends in one carry.

At the accessible end, Kurt Geiger's Fall26 campaign is pushing the Kensington Puff 3 Pouch — quilted, eagle-head clasp, crossbody — as the season's hero bag. And Tod's is betting on intimacy over logos: its My Signature service lets clients stamp gold-tone initials onto the T Signature collection in selected boutiques, the charm-bag wave rendered in Italian calfskin.

The through-line is personalization. Whether it is a monogram, a padlock or a charm, the bag of the moment says something about its owner — loudly or quietly, but specifically.